Aaron Schmidt at Bootleg Exhibitions Vol.1
Tyler Meuninck in "Public Works" at Mt. Comfort
Saturday, I hit two closing receptions at the corner of English and State St. .
Tyler Meuninck was showing some great paintings, done mostly with a beautiful palette of pinky browns. These urban landscapes combine atmospheric space with abstracted space, which works especially well with the mid-value, low contrast paintings.
I had heard and read from many different sources that Bootleg Exhibitions, across the street from Mt. Comfort, had hosted an excellent inaugural and second show. There is so much local marketing bs pushing entities to succeed by blowing hype, that, to some degree, I blew off the input I receive on this gallery. I shoulda listened better.
The space is so exciting that the work shown forms a symbiotic relationship with it. Well, I should say, the artists are intentionally working with and within these conditions. The space is raw, and display decisions are brilliant. The rawness is embraced and played upon, but not in a precious manner. Rather the arrangements are unselfconscious, direct, and efficient. I can't really address the work shown, because I stupidly waited until the closing to see this show (and missed the inaugural show entirely), but what I saw was very good.